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The Story of the Mahabharata

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Two families of cousins, the five Pandava brothers and the hundred Kauravas, grow from childhood rivalry to a game of dice, thirteen years of exile, and the great war at Kurukshetra. By John Campbell Oman (1900). A public-domain classic, from The Great Indian Epics.

Content warnings: Violence · Death

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How it begins Amongst the long line of kings descended from Chandra, the Moon, who reigned in Northern India, was Shantanu, with whom our narrative may conveniently commence. This king was, like most of the sovereigns of his house, a pious man and an able administrator, whose sway, we are told, was owned by the whole world. He had two wives in succession, first the goddess Ganga, afterwards Satyavati, and the story of his loves is worth recording.Strange as it may seem, his marriage with the lovely Ganga, the divinity of the sacred river Ganges, resulted from a curse uttered by one of those terrible saints, so common in Indian poetry, whose irritability of temper seems to have been in direct proportion to the importance of their austerities. The saint in question, Vasishta by name, was once engaged in his devotions when a party of celestial beings, known as Vasus, unwittingly passed between him and the rising or setting sun. “Be born among men!” exclaimed the irate Rishi to the unwelcome intruders, and his malediction, once uttered was, of course, irrevocable. Expelled from Heaven, these unfortunate Vasus were met by the goddess Ganga to whom they explained their sad destiny, imploring of her to become a woman, so that they might be born of her and not of a mere mortal. The goddess who, on account of a slight indiscretion on her part, was herself under the obligation of assuming the human form, agreed to their proposal, and made choice of Shantanu to be their father. The goddess promised the Vasus that as each one of them was born of her, he should be thrown, as a mere infant, into the water and destroyed, so that all might regain their celestial home as speedily as possible. But Ganga stipulated that each one of the Vasus should contribute an eighth part of his energy for the production of a son who should be allowed to live his life on earth, but should himself die childless. These preliminaries being settled amongst the gods, behind the scenes as it were, the play had to be played out on the terrestrial stage with men as the puppets. To this end Ganga took an opportunity of presenting herself before Shantanu for the purpose of captivating his heart,--no difficult task for the goddess. So, one day as he was wandering along the banks of the Ganges, “he saw a lovely maiden of blazing beauty and like unto another Sree herself. Of faultless and pearly teeth and decked with celestial ornaments, she was attired in garments of fine texture, and resembled in splendour the filaments of the lotus. And the monarch beholding that damsel became surprised. With steadfast gaze he seemed to be drinking her charms, but repeated draughts failed to quench his thirst. The damsel also beholding the monarch of blazing splendour moving about in great agitation, was moved herself, and experienced an affection for him. She gazed and gazed and longed to gaze at him evermore. The monarch then in soft words addressed her and said: ‘O thou slender-waisted one, beest thou a goddess or the daughter of a Danava, beest thou of the race of the Gandharvas, or Apsaras, beest thou of the Yakshas or of the Nagas or beest thou of human origin, O thou of celestial beauty, I solicit thee to be my wife.’” Keep reading →

About this story

Two families of cousins, the five Pandava brothers and the hundred Kauravas, grow from childhood rivalry to a game of dice, thirteen years of exile, and the great war at Kurukshetra. It is the longest epic in the world, and a story about duty, family and what a war costs.

John Campbell Oman published this retelling in The Great Indian Epics, in twelve chapters. The Mahabharata is traditionally ascribed to Vyasa, and includes the Bhagavad Gita, the conversation between Arjuna and Krishna on the eve of the battle. Oman’s version is a short route through a huge book.

Themes: Duty, family war, fate and choice
Good for: A first overview of the Mahabharata
Worth noticing: How the dice game starts the whole chain of events.

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